One of the the things I strive for is sonic consistency from show to show, worldwide. To achieve this it is critical to work with the backline techs to assure a consistent volume and tone. Once they find a good sound, I have them mark the settings, take photos and I photo as well. Then if we drift, we have a reference point. Furthermore I ask them to let me know whenever changes need to be made on their end like new guiitars, new pedals or any other factor that can affect the sound I get.
Next I lock in my console settings. I avoid any gain amp changes any major eq changes. That way I can look at my input meters and know if things changed from the stage end.
So, if all works as planned, the only changes I make from show to show are my system EQ stting to tune the room.
And today is a great example of things working as planned. I went from an arena rig with 32 box K1 rig plus side hangs, rear hangs and 32 SB28s last show to 12 dV-dosc and 8 SB218 a side in a club. A few minor tweaks to tune out the higher room resonance and all good.
The way I see it, the closer I get things to autopilot, the less I do, the better job I am doing and the leass to go wrong. Now if I can just keep this pile. Knobs locked in for the next 18 months or so, all good.
Oh, and this hour long MTV club show in Belfast is going to go off, I can just feel the excitement in the crowd and band. I remember playing this place back on I believe the very first Peppers overseas tour I did with them over 2 decades ago. Back when armored personnel carriers patrolled the streets here with machine gun weilding cops walking back to back. Oh how its changed and great to be back.
Nice way of work! Lock up your settings and reduce the factors to go wrong. L-acoustics no matter what, are probably the best.
ReplyDeleteKeep on rockin'